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Sinfonia avanti il Opera PROLOGO L UMANA FRAGILITÀ Mortal cosa son io, fattura umana. Tutto mi turba, un soffio sol m abbatte, il tempo, che mi crea, quel mi combatte. IL TEMPO Salvo è niente dal mio dente. Ei rode, ei gode. Non fuggite, o mortali, ché, se ben zoppo, ho l ali. L UMANA FRAGILITÀ Mortal cosa son io, fattura umana, senza periglio in va ricerco loco, ché frale vita è di Fortuna un gioco. LA FORTUNA Mia vita son voglie, le gioie, le doglie. Son cieca, son sorda non vedo, non odo. Ricchezze, grandezze dispenso a mio modo. L UMANA FRAGILITÀ Mortal cosa son io, fattura umana. Al Tiranno d Amor serva sen giace la mia fiorita età, verde e fugace. AMORE Dio de Dèi feritor, mi dice il mondo Amor. Cieco saettator, alato, ignudo, contro il mio stral non val difesa o scudo. L UMANA FRAGILITÀ Misera, son ben io, fattura umana, creder a ciechi e zoppi è cosa vana. IL TEMPO Per me fragile LA FORTUNA Per me misero AMORE Per me torbido TUTTI Quest uom sarà. IL TEMPO Il Tempo ch affretta LA FORTUNA Fortuna ch alletta AMORE Amor che saetta TUTTI Pietate non ha. Fragile, misero, torbido quest uom sarà. ATTO I Scena Prima (Reggia) PENELOPE Di misera Regina non terminati mai dolenti affanni! L aspettato non giunge, e pur fuggono gli anni. La serie del penare è lunga, ahi troppo. A chi vive in angoscie il tempo è zoppo. Fallacissima speme, speranze non più verdi ma canute, all invecchiato male non promettete più pace o salute. Scorsero quattro lustri dal memorabil giorno, in cui con sue rapine, il superbo Troiano chiamò l alta sua patria alle ruine. A ragion arse Troia, poiché l Amore impuro ch è un delitto di foco, si purga con le fiamme. Ma ben contro ragione per l altrui fallo condannata innocente, dell altrui colpe io sono l afflitta penitente. Ulisse accorto, e saggio, tu, che punir gli adulteri ti vanti, aguzzi l armi e susciti le fiamme per vendicar gli errori d una profuga greca; e intanto lasci la tua casta consorte fra i nemici rivali, in dubbio dell onore, in forse a morte. Ogni partenza attende desiato ritorno, tu sol del tuo tornar perdesti il giorno. ERICLEA Infelice Ericlea, nutrice sconsolata, compiangi il duol de la regina amata. PENELOPE Non è dunque per me varia la sorte? Cangiò forse fortuna La volubile ruota in stabil seggio? E la sua pronta vela, ch ogn uman caso porta fra l incostanza a volo, sol per me non raccoglie un fiato solo? Cangia per altri pur l aspetto il Cielo, le Stelle erranti e fisse. Torna, deh, torna Ulisse! Deh, torna Ulisse! Penelope t aspetta. L innocente sospira, piange l offesa, e contro il tenace offensor né pur s adira. All anima affannata porto le sue discolpe acciò non resti di crudeltà macchiato, ma, fabbro de miei danni incolpo il fato. Così, per tua difesa, Col Destino, col Cielo, Fomento guerra, e stabilisco risse. Torna, deh, torna Ulisse! ERICLEA Partir senza ritorno non può Stella influir, non è partir, ahi, che non è partir. PENELOPE Torna il tranquillo al mare, torna il Zeffiro al prato, l Aurora mentre al sol fa dolce invito è un ritorno del dì ch è pria partito. Tornan le brine in terra, tornano al centro i sassi, e, con lubrici passi torna all oceano il rivo. L uomo qua giù, ch è vivo lunge da suoi princìpi, porta un alma celeste e un corpo frale. Tosto more il mortale, e torna l Alma in Cielo, e torna il corpo in polve dopo breve soggiorno. Tu sol del tuo tornar perdesti il giorno. Torna, ché mentre porti empie dimore al mio fiero dolore veggio del morir mio l ore prefisse. Torna, deh, torna Ulisse! Scena Seconda MELANTO Duri e penosi son gli amorosi fieri desir; ma alfin son cari, se prima amari, gli aspri martir; Ché s arde un cor, è d allegrezza un foco, né mai perde in amor chi compie il gioco. EURIMACO Bella Melanto mia, graziosa Melanto il tuo canto è un incanto, il tuo volto è magia. Bella Melanto mia, è tutto laccio in te ciò ch altri ammaga; ciò che laccio non è, fa tutto piaga. MELANTO Vezzoso garruletto, oh, come ben tu sai ingemmar le bellezze, illustrar a tuo pro d un volto i rai. Lieto vezzeggia pur le glorie mie con tue dolci bugie. EURIMACO Bugia sarebbe, s io lodando non t amassi, ché il negar d adorar confessata deità è bugia d empietà. MELANTO, EURIMACO De nostri amor concordi sia pur la fiamma accesa ché, amato, il non amar arreca offesa, né con ragion s offende colui che per offese amor ti rende. MELANTO Come il desio m invoglia, Eurimaco mia vita, Senza fren, senza morso dar nel tuo sen alle mie gioie il corso! EURIMACO Oh, come volentieri cangerei questa Reggia in un deserto ove occhio curioso a veder non giungesse i nostri errori! MELANTO, EURIMACO Ché ad un focoso petto il rispetto è dispetto. EURIMACO Se Penelope la bella non si piega alle voglie de rivali amatori, mal sicuri saranno i nostri occulti amori. Tu dunque t affatica, suscita in lei la fiamma! MELANTO Ritenterò quell alma pertinace, ostinata, ritoccherò quel core ch indiamanta l onore. EURIMACO Va, va, Melanto, e t adopra che d ammollir parlando femminil contumacia non è piccola l opra. MELANTO Dolce mia vita, mia vita sei! EURIMACO Lieto mio bene, mio ben sarai! MELANTO, EURIMACO Nodo si bel non di disciolga mai! Scena Terza (Una riva in Itaca) NEREIDI Fermino i sibili, sibili e fremiti, il venti e il mar! SIRENE Aura tranquillati, bell onda calmati! L addormentato, deh, non svegliar. NEREIDI Tacete, Sirene, se tace l irato. SIRENE Nereidi, tacete, se tace Nettuno. NEREIDI Tacete, venti, silenzio mar. SIRENE Ulisse dorme, non lo destar. Scena Quarta (Passano i Feaci in Mare, e sbarcano Ulisse dormiente, e lo pongono appresso l antro de Naiadi col suo bagaglio. E questa scena è muta, accompagnata con Sinfonia. Poi entra la Nave) Scena Quinta NETTUNO (sorge dal mare) Superbo è l uom, ed è del suo peccato Cagion, benché lontana, il Ciel cortese, Facile, ahi, troppo in perdonar l offese. Fa guerra col destin, pugna con fato, tutt osa, tutt ardisce, l umana libertade, indomita si rende, e l arbitrio dell uom col Ciel contende. Ma se Giove benigno i trascorsi dell uom troppo perdona, tenga egli a voglia sua nella gran destra il fulmine ozioso, tengalo invendicato. Ma non soffra Nettuno col proprio disonor l uman peccato. GIOVE (in Cielo) Gran Dio de salsi flutti, che mormori e vaneggi contro l alta bontà del Dio sovrano? Mi stabili per Giove la mente mie pietosa più ch armata la mano. Questo fulmine atterra, la pietà persuade, fa adorar la pietade, ma non adora più chi cade a terra. Ma qual giusto desio d aspra vendetta furioso ti move ad accusar l alta bontà di Giove? NETTUNO Hanno i Feaci arditi contro l alto voler del mio decreto, han Ulisse condotto in Itaca sua patria, onde rimane dall uman ardimento, dell offesa deitade ingannato l intento. Vergogna e non pietade comanda il perdonar fatti si rei. Così di nome solo son divini gli dèi? GIOVE Non fien discare al Ciel le tue vendette, ché comune ragion ci tien uniti; puoi da te stesso castigar gl arditi. NETTUNO Or già che non dissente il tuo divin volere, darò castigo al temerario orgoglio. La nave loro andante farò immobile scoglio. GIOVE Facciasi il tuo comando, veggansi l alte prove, abbian l onde il suo Giove. E chi andando Peccò, pera restando. Scena Sesta (Feaci in nave) FEACI In questo basso mondo l uomo può quanto vuol. Tutto fa, ch il Ciel del nostro oprar pensier non ha. NETTUNO (cangia la nave in un scoglio) Ricche d un nuovo scoglio sien quest onde fugaci. Imparino i Feaci in questo giorno che l umano viaggio, quand ha contrario il Ciel, non ha ritorno. Scena Settima ULISSE (si risveglia) Dormo ancora, o son desto? Che contrade rimiro, e che terren calpesto? Dormo ancora, o son desto? Chi fece in me, chi fece il sempre dolce e lusinghevol sonno ministro de tormenti? Chi cangiò il mio riposo in ria sventura? Qual deità de dormienti ha cura? O sonno, o mortal sonno, fratello della morte altri ti chiama! Solingo, e trasportato deluso ed ingannato, ti conosco ben io padre d errori! Pur, degli errori miei son io la colpa, ché se l ombra è del sonno sorella o pur compagna, chi si confida all ombra, perduto alfin, contro ragion si lagna. O dèi sempre sdegnati, numi non mai placati, contro Ulisse, che dorme, anco severi, vostri divini imperi contro l uman voler sien fermi e forti, ma non tolgano, ahimè, la pace ai morti. Feaci ingannatori! Voi pur mi prometteste di ricondurmi salvo in Itaca mia patria con le ricchezze mie, co miei tesori. Feaci mancatori, or non s come, ingrati, mi lasciaste in questa riva aperta, su spiaggia erma e deserta, misero abbandonato. e vi porta fastosi e per l aure e per l onde così enorme peccato! Se puniti non son sì gravi errori, lascia Giove, deh, lascia de fulmini la cura, Ché la legge del caso è più sicura. Sia delle vostre vele, falsissimi Feaci, sempre Borea nemico, e se qual piuma al vento o scogli in mare, le vostre infide navi leggere agli aquiloni, all aure gravi! Scena Ottava (Minerva in abito da pastorello) MINERVA Cara e lieta gioventù, che disprezza empio desir, non dà a lei noia o martir ciò che viene, e ciò che fu. Cara e lieta gioventù. ULISSE (fra sé) Sempre l uman bisogno il Ciel soccorre. Quel giovinetto tenero negl anni, mal pratico d inganni, forse ch il mio pensier farà contento, ché non ha frode in seno chi non ha pelo al mento. MINERVA Giovinezza è un bel tesor che fa ricco in gioia un sen. Per lei zoppo il tempo vien, per lei vola alato Amor. Giovinezza è un bel tesor. ULISSE Vezzoso pastorello, deh, sovvieni un perduto di consiglio e d aiuto, e dimmi pria di questa spiaggia e questo porto il nome. MINERVA Itaca è questa in sen di questo mare, porto famoso e spiaggia felice, avventurata. Faccia gioconda e grata a sì bel nome fai. Ma tu come venisti e dove vai? ULISSE Io greco sono ed or di Creta io vengo per fuggir del castigo d omicidio eseguito. M accolsero i Feaci e m han promesso in Elide condurmi. Ma dal cruccioso mar, dal vento infido fummo a forza cacciati in questo lido. Poi sbarcato al riposo per veder quieto il mar, secondi i venti, colà m addormentai sì dolcemente, ch io non udii né vidi de Feaci crudeli la furtiva partenza, ond io rimasi con le mie spoglie in su l arena ignuda isconosciuto e solo. E il sonno che partì lasciommi il duolo. MINERVA Ben lungamente addormentato fosti, ch ancor ombre racconti e sogni narri. È ben accorto Ulisse, ma più saggia è Minerva. Tu dunque, Ulisse, i miei precetti osserva. ULISSE Chi crederebbe mai la deità vestite in uman velo! Si fanno queste mascherate in Cielo? Grazie ti rendo, o protettrice dea! Ben so che per tuo amore furon senza periglio i miei pensieri. Or consigliato seguo i tuoi saggi consigli. MINERVA Incognito sarai, non conosciuto andrai sinché tu vegga dei Proci tuoi rivali la sfacciata baldanza. Di Penelope casta l immutabil costanza. ULISSE Oh fortunato Ulisse! MINERVA Or t adacqua la fronte nella vicina fonte, che anderai sconosciuto in sembiante canuto. ULISSE Ad obbedirti vado, indi ritorno. MINERVA Io vidi per vendetta, incenerirsi Troia, ora mi resta Ulisse ricondur in patria, in regno. D un oltraggiata dea questo è lo sdegno. Quinci imparate, voi, stolti mortali, al litigio divin non poner bocca! Il giudizio del Ciel a voi non tocca, ché son di terra i vostri tribunali. ULISSE Eccomi, saggia dea. Questi peli che guardi sono di mia vecchiaia testimoni bugiardi. MINERVA Or poniamo in sicuro queste tue spoglie amate entro quel antro oscuro delle Naiadi, ninfe al Ciel sacrate. MINERVA, ULISSE Ninfe serbate le gemme e gli ori, spoglie e tesori tutto serbate, ninfe sacrate! Scena Nona NAIADI (mentre l altre portano nell Antro il bagaglio) Bella diva, eccoci pronte al tuo cenno, al tuo voler, e quest antro, e quella fonte spruzza e s apre a tuo voler. Itaca lieta si mostri, sì, al bel ristoro d Ulisse un dì! MINERVA (ad Ulises) Tu d Aretusa al fonte in tanto vanne, ove il pastor Eumete, tuo fido antico servo, custodisce la gregge; ivi m attendi in sin che pria di Sparta io ti conduca Telemaco tuo figlio; poi d eseguir t appresta il mio consiglio. ULISSE O fortunato Ulisse! Fuggi dal tuo dolor l antico error, lascia il pianto, dolce canto dal tuo cor lieto disserra. Non si disperi più mortale in terra. O fortunato Ulisse! Cara vicenda si può soffrir, or diletto, or martir, or pace, or guerra, non si disperi più mortale in terra. Sinfonia avanti il Opera PROLOGO L UMANA FRAGILITÀ Mortal cosa son io, fattura umana. Tutto mi turba, un soffio sol m abbatte, il tempo, che mi crea, quel mi combatte. IL TEMPO Salvo è niente dal mio dente. Ei rode, ei gode. Non fuggite, o mortali, ché, se ben zoppo, ho l ali. L UMANA FRAGILITÀ Mortal cosa son io, fattura umana, senza periglio in va ricerco loco, ché frale vita è di Fortuna un gioco. LA FORTUNA Mia vita son voglie, le gioie, le doglie. Son cieca, son sorda non vedo, non odo. Ricchezze, grandezze dispenso a mio modo. L UMANA FRAGILITÀ Mortal cosa son io, fattura umana. Al Tiranno d Amor serva sen giace la mia fiorita età, verde e fugace. AMORE Dio de Dèi feritor, mi dice il mondo Amor. Cieco saettator, alato, ignudo, contro il mio stral non val difesa o scudo. L UMANA FRAGILITÀ Misera, son ben io, fattura umana, creder a ciechi e zoppi è cosa vana. IL TEMPO Per me fragile LA FORTUNA Per me misero AMORE Per me torbido TUTTI Quest uom sarà. IL TEMPO Il Tempo ch affretta LA FORTUNA Fortuna ch alletta AMORE Amor che saetta TUTTI Pietate non ha. Fragile, misero, torbido quest uom sarà. ATTO I Scena Prima (Reggia) PENELOPE Di misera Regina non terminati mai dolenti affanni! L aspettato non giunge, e pur fuggono gli anni. La serie del penare è lunga, ahi troppo. A chi vive in angoscie il tempo è zoppo. Fallacissima speme, speranze non più verdi ma canute, all invecchiato male non promettete più pace o salute. Scorsero quattro lustri dal memorabil giorno, in cui con sue rapine, il superbo Troiano chiamò l alta sua patria alle ruine. A ragion arse Troia, poiché l Amore impuro ch è un delitto di foco, si purga con le fiamme. Ma ben contro ragione per l altrui fallo condannata innocente, dell altrui colpe io sono l afflitta penitente. Ulisse accorto, e saggio, tu, che punir gli adulteri ti vanti, aguzzi l armi e susciti le fiamme per vendicar gli errori d una profuga greca; e intanto lasci la tua casta consorte fra i nemici rivali, in dubbio dell onore, in forse a morte. Ogni partenza attende desiato ritorno, tu sol del tuo tornar perdesti il giorno. ERICLEA Infelice Ericlea, nutrice sconsolata, compiangi il duol de la regina amata. PENELOPE Non è dunque per me varia la sorte? Cangiò forse fortuna La volubile ruota in stabil seggio? E la sua pronta vela, ch ogn uman caso porta fra l incostanza a volo, sol per me non raccoglie un fiato solo? Cangia per altri pur l aspetto il Cielo, le Stelle erranti e fisse. Torna, deh, torna Ulisse! Deh, torna Ulisse! Penelope t aspetta. L innocente sospira, piange l offesa, e contro il tenace offensor né pur s adira. All anima affannata porto le sue discolpe acciò non resti di crudeltà macchiato, ma, fabbro de miei danni incolpo il fato. Così, per tua difesa, Col Destino, col Cielo, Fomento guerra, e stabilisco risse. Torna, deh, torna Ulisse! ERICLEA Partir senza ritorno non può Stella influir, non è partir, ahi, che non è partir. PENELOPE Torna il tranquillo al mare, torna il Zeffiro al prato, l Aurora mentre al sol fa dolce invito è un ritorno del dì ch è pria partito. Tornan le brine in terra, tornano al centro i sassi, e, con lubrici passi torna all oceano il rivo. L uomo qua giù, ch è vivo lunge da suoi princìpi, porta un alma celeste e un corpo frale. Tosto more il mortale, e torna l Alma in Cielo, e torna il corpo in polve dopo breve soggiorno. Tu sol del tuo tornar perdesti il giorno. Torna, ché mentre porti empie dimore al mio fiero dolore veggio del morir mio l ore prefisse. Torna, deh, torna Ulisse! Scena Seconda MELANTO Duri e penosi son gli amorosi fieri desir; ma alfin son cari, se prima amari, gli aspri martir; Ché s arde un cor, è d allegrezza un foco, né mai perde in amor chi compie il gioco. EURIMACO Bella Melanto mia, graziosa Melanto il tuo canto è un incanto, il tuo volto è magia. Bella Melanto mia, è tutto laccio in te ciò ch altri ammaga; ciò che laccio non è, fa tutto piaga. MELANTO Vezzoso garruletto, oh, come ben tu sai ingemmar le bellezze, illustrar a tuo pro d un volto i rai. Lieto vezzeggia pur le glorie mie con tue dolci bugie. EURIMACO Bugia sarebbe, s io lodando non t amassi, ché il negar d adorar confessata deità è bugia d empietà. MELANTO, EURIMACO De nostri amor concordi sia pur la fiamma accesa ché, amato, il non amar arreca offesa, né con ragion s offende colui che per offese amor ti rende. MELANTO Come il desio m invoglia, Eurimaco mia vita, Senza fren, senza morso dar nel tuo sen alle mie gioie il corso! EURIMACO Oh, come volentieri cangerei questa Reggia in un deserto ove occhio curioso a veder non giungesse i nostri errori! MELANTO, EURIMACO Ché ad un focoso petto il rispetto è dispetto. EURIMACO Se Penelope la bella non si piega alle voglie de rivali amatori, mal sicuri saranno i nostri occulti amori. Tu dunque t affatica, suscita in lei la fiamma! MELANTO Ritenterò quell alma pertinace, ostinata, ritoccherò quel core ch indiamanta l onore. EURIMACO Va, va, Melanto, e t adopra che d ammollir parlando femminil contumacia non è piccola l opra. MELANTO Dolce mia vita, mia vita sei! EURIMACO Lieto mio bene, mio ben sarai! MELANTO, EURIMACO Nodo si bel non di disciolga mai! Scena Terza (Una riva in Itaca) NEREIDI Fermino i sibili, sibili e fremiti, il venti e il mar! SIRENE Aura tranquillati, bell onda calmati! L addormentato, deh, non svegliar. NEREIDI Tacete, Sirene, se tace l irato. SIRENE Nereidi, tacete, se tace Nettuno. NEREIDI Tacete, venti, silenzio mar. SIRENE Ulisse dorme, non lo destar. Scena Quarta (Passano i Feaci in Mare, e sbarcano Ulisse dormiente, e lo pongono appresso l antro de Naiadi col suo bagaglio. E questa scena è muta, accompagnata con Sinfonia. Poi entra la Nave) Scena Quinta NETTUNO (sorge dal mare) Superbo è l uom, ed è del suo peccato Cagion, benché lontana, il Ciel cortese, Facile, ahi, troppo in perdonar l offese. Fa guerra col destin, pugna con fato, tutt osa, tutt ardisce, l umana libertade, indomita si rende, e l arbitrio dell uom col Ciel contende. Ma se Giove benigno i trascorsi dell uom troppo perdona, tenga egli a voglia sua nella gran destra il fulmine ozioso, tengalo invendicato. Ma non soffra Nettuno col proprio disonor l uman peccato. GIOVE (in Cielo) Gran Dio de salsi flutti, che mormori e vaneggi contro l alta bontà del Dio sovrano? Mi stabili per Giove la mente mie pietosa più ch armata la mano. Questo fulmine atterra, la pietà persuade, fa adorar la pietade, ma non adora più chi cade a terra. Ma qual giusto desio d aspra vendetta furioso ti move ad accusar l alta bontà di Giove? NETTUNO Hanno i Feaci arditi contro l alto voler del mio decreto, han Ulisse condotto in Itaca sua patria, onde rimane dall uman ardimento, dell offesa deitade ingannato l intento. Vergogna e non pietade comanda il perdonar fatti si rei. Così di nome solo son divini gli dèi? GIOVE Non fien discare al Ciel le tue vendette, ché comune ragion ci tien uniti; puoi da te stesso castigar gl arditi. NETTUNO Or già che non dissente il tuo divin volere, darò castigo al temerario orgoglio. La nave loro andante farò immobile scoglio. GIOVE Facciasi il tuo comando, veggansi l alte prove, abbian l onde il suo Giove. E chi andando Peccò, pera restando. Scena Sesta (Feaci in nave) FEACI In questo basso mondo l uomo può quanto vuol. Tutto fa, ch il Ciel del nostro oprar pensier non ha. NETTUNO (cangia la nave in un scoglio) Ricche d un nuovo scoglio sien quest onde fugaci. Imparino i Feaci in questo giorno che l umano viaggio, quand ha contrario il Ciel, non ha ritorno. Scena Settima ULISSE (si risveglia) Dormo ancora, o son desto? Che contrade rimiro, e che terren calpesto? Dormo ancora, o son desto? Chi fece in me, chi fece il sempre dolce e lusinghevol sonno ministro de tormenti? Chi cangiò il mio riposo in ria sventura? Qual deità de dormienti ha cura? O sonno, o mortal sonno, fratello della morte altri ti chiama! Solingo, e trasportato deluso ed ingannato, ti conosco ben io padre d errori! Pur, degli errori miei son io la colpa, ché se l ombra è del sonno sorella o pur compagna, chi si confida all ombra, perduto alfin, contro ragion si lagna. O dèi sempre sdegnati, numi non mai placati, contro Ulisse, che dorme, anco severi, vostri divini imperi contro l uman voler sien fermi e forti, ma non tolgano, ahimè, la pace ai morti. Feaci ingannatori! Voi pur mi prometteste di ricondurmi salvo in Itaca mia patria con le ricchezze mie, co miei tesori. Feaci mancatori, or non s come, ingrati, mi lasciaste in questa riva aperta, su spiaggia erma e deserta, misero abbandonato. e vi porta fastosi e per l aure e per l onde così enorme peccato! Se puniti non son sì gravi errori, lascia Giove, deh, lascia de fulmini la cura, Ché la legge del caso è più sicura. Sia delle vostre vele, falsissimi Feaci, sempre Borea nemico, e se qual piuma al vento o scogli in mare, le vostre infide navi leggere agli aquiloni, all aure gravi! Scena Ottava (Minerva in abito da pastorello) MINERVA Cara e lieta gioventù, che disprezza empio desir, non dà a lei noia o martir ciò che viene, e ciò che fu. Cara e lieta gioventù. ULISSE (fra sé) Sempre l uman bisogno il Ciel soccorre. Quel giovinetto tenero negl anni, mal pratico d inganni, forse ch il mio pensier farà contento, ché non ha frode in seno chi non ha pelo al mento. MINERVA Giovinezza è un bel tesor che fa ricco in gioia un sen. Per lei zoppo il tempo vien, per lei vola alato Amor. Giovinezza è un bel tesor. ULISSE Vezzoso pastorello, deh, sovvieni un perduto di consiglio e d aiuto, e dimmi pria di questa spiaggia e questo porto il nome. MINERVA Itaca è questa in sen di questo mare, porto famoso e spiaggia felice, avventurata. Faccia gioconda e grata a sì bel nome fai. Ma tu come venisti e dove vai? ULISSE Io greco sono ed or di Creta io vengo per fuggir del castigo d omicidio eseguito. M accolsero i Feaci e m han promesso in Elide condurmi. Ma dal cruccioso mar, dal vento infido fummo a forza cacciati in questo lido. Poi sbarcato al riposo per veder quieto il mar, secondi i venti, colà m addormentai sì dolcemente, ch io non udii né vidi de Feaci crudeli la furtiva partenza, ond io rimasi con le mie spoglie in su l arena ignuda isconosciuto e solo. E il sonno che partì lasciommi il duolo. MINERVA Ben lungamente addormentato fosti, ch ancor ombre racconti e sogni narri. È ben accorto Ulisse, ma più saggia è Minerva. Tu dunque, Ulisse, i miei precetti osserva. ULISSE Chi crederebbe mai la deità vestite in uman velo! Si fanno queste mascherate in Cielo? Grazie ti rendo, o protettrice dea! Ben so che per tuo amore furon senza periglio i miei pensieri. Or consigliato seguo i tuoi saggi consigli. MINERVA Incognito sarai, non conosciuto andrai sinché tu vegga dei Proci tuoi rivali la sfacciata baldanza. Di Penelope casta l immutabil costanza. ULISSE Oh fortunato Ulisse! MINERVA Or t adacqua la fronte nella vicina fonte, che anderai sconosciuto in sembiante canuto. ULISSE Ad obbedirti vado, indi ritorno. MINERVA Io vidi per vendetta, incenerirsi Troia, ora mi resta Ulisse ricondur in patria, in regno. D un oltraggiata dea questo è lo sdegno. Quinci imparate, voi, stolti mortali, al litigio divin non poner bocca! Il giudizio del Ciel a voi non tocca, ché son di terra i vostri tribunali. ULISSE Eccomi, saggia dea. Questi peli che guardi sono di mia vecchiaia testimoni bugiardi. MINERVA Or poniamo in sicuro queste tue spoglie amate entro quel antro oscuro delle Naiadi, ninfe al Ciel sacrate. MINERVA, ULISSE Ninfe serbate le gemme e gli ori, spoglie e tesori tutto serbate, ninfe sacrate! Scena Nona NAIADI (mentre l altre portano nell Antro il bagaglio) Bella diva, eccoci pronte al tuo cenno, al tuo voler, e quest antro, e quella fonte spruzza e s apre a tuo voler. Itaca lieta si mostri, sì, al bel ristoro d Ulisse un dì! MINERVA (ad Ulises) Tu d Aretusa al fonte in tanto vanne, ove il pastor Eumete, tuo fido antico servo, custodisce la gregge; ivi m attendi in sin che pria di Sparta io ti conduca Telemaco tuo figlio; poi d eseguir t appresta il mio consiglio. ULISSE O fortunato Ulisse! Fuggi dal tuo dolor l antico error, lascia il pianto, dolce canto dal tuo cor lieto disserra. Non si disperi più mortale in terra. O fortunato Ulisse! Cara vicenda si può soffrir, or diletto, or martir, or pace, or guerra, non si disperi più mortale in terra. Monteverdi,Claudio/Il ritorno d Ulisse in patria/II
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Oracle Documentation http //otndnld.oracle.co.jp/document/products/oracle10g/102/doc_cd/index.htm oracle http //books-support.sbcr.jp/isbn/1683/appendix.html http //www.esrij.com/document/esri/arcgisserver/93/help/manager/geodatabases/oracle_1010194088.htm mailmagazine http //www.insight-tec.com/mailmagazine/ora3/vol188.html sysでログイン！ alter system set sga_max_size=1536M; alter system set sga_target=1536M; alter system set pga_aggregate_target=512M; port確認 select dbms_xdb.gethttpport(), dbms_xdb.getftpport() from dual; port変更 begin dbms_xdb.sethttpport( 18080 );end;/ conn sys/sys as SYSDBA 共有プール（SHARED POOL）をクリアする ALTER SYSTEM FLUSH SHARED_POOL; データベース・バッファ・キャッシュのクリア ALTER SYSTEM FLUSH BUFFER_CACHE; begin declare CURSOR IND_CURR IS SELECT INDEX_NAME FROM user_indexes where status= UNUSABLE ; SQL_VAL varchar2(300); DATA_VAL varchar2(300); begin FOR currVal IN IND_CURR LOOP DATA_VAL = currVal.INDEX_NAME; SQL_VAL = alter index || DATA_VAL || rebuild ; execute immediate SQL_VAL; END LOOP; end; end; / set long 2000 set heading off set line 120 set pages 2000 set long 2000 set heading off set trimspool off set feedback off set longchunksize 600 EXEC DBMS_METADATA.SET_TRANSFORM_PARAM( DBMS_METADATA.SESSION_TRANSFORM, SQLTERMINATOR ,TRUE) spool create_table.sql select dbms_metadata.get_ddl( TABLE ,table_name) dbms_metadata.get_ddl( TABLE ,table_name) from user_tables; spool off;
https://w.atwiki.jp/orange_sherbet/pages/24.html
Initial Meetings Definition= The orientation stage The meeting at the beggining Meeting someone new is an opportunity to start fresh and create new bonds, and diving into a new relationship is exciting. How April/September/OYR students find themselves in situations where they have a chance to meet each other. Time usually noon or early night Place public spaaces Participations everybody and everyage Language to communicate English, Japanese and so on The purpose finding friends Kind ELP, JLP, Club, Class, Party and so on Analysis 1 Findig someone It may be matter to find someone to talk with for some people. It needs very strong energy for them. They must have stress very much. At the first of meeting, they select the persons whom talk with carefully. On the other hand, other person do not mind that. → A basic characteristic of forming Japanese relationships seems to be the consideration of the benefit of the relationship beforehand, because in Japan, individuals are not so much considered for their own ability, but who they know. 2 Starting chat When some people find suitable person to talk, they approach the person with shyly. And asking where the person lives, how old the person is, or which club the person join, they start the talking. If they find the common points (same hobby or same hometown), they are feelings rather better. However their nervous will continue. On the other hand, other people may tend to find someone to talk with easy. When they find someone to chat, they will approach with smile, and will start to talking about daily matter (weather or the impression of this meeting). 3 During conversation During conversation, some people try to catch the content which they talk with hard. They look for the conversation. Also, they look for the timing to start or finish the conversation. It is too much warry to talk with someone for them. On the other hand , other people must be good at making conversation. They can cathch the subject with ease. They can bring out the companion characters with easy. They can improve the conversation with enjoyable. In addition, they can continue or stop conversation without consciouness. →Japanese people are concerned about 間合いのつめかた(how to approach= which friends level they are), which means how/when to progress in a relationship, a concept that most foreigners are thoroughly unaware of. The context of a situation and the ability to "read the air" dictates the appropriate behavior in Japanese mind. 4 The latter of meeting The latter of meeting, some people will exchage e-mail addresses. This address may be used or not. They are glad to exchange e-mail addresses. They want to feel that they do their own best to make friends. Exchanging e-mail is the best to make friends. Exchanging e-mail is the proof. Their conversation must be better, because of spending time. 5 The another day after the meeting Some people worry about whether they become friends or not, so when they meet the persons, they hesitate what she react to him or her. On the other hand, some people must not mind that. They think that it was good time with them. We look like not become friends. It is just all. →For [Americans], personality and individual compatibility determine how the relationship will progress. That is to say, the way of making friends is serious problem for some people, at the same time it is not serious problem for other people. Of courese, friends are the importance for both people. Examples / Actual Cases One of the main problems between the groups at ICU, the OYRs, the September students and the April students seems to be actually meeting one another. In Japan there are certain ways one normally makes friends, such as joining a club or living in the dorms. But many of the students do not have these opportunities. For example, many clubs do not want OYR students, who are preoccupied with traveling and are only at ICU for a year anyway. Compared to other Japanese universities, a relatively small number of people join clubs at ICU. So ICU students are already at a disadvantage when it comes to meeting people. Relationships in Japan are therefore taken very seriously, maintained, nurtured, and sometimes extinguished. To many OYRs, this is a strange process...especially to many Americans, who make friends with anyone, anywhere, and for any reason, and rely on their own personal ability to make it in life rather than the relationships they form. Many OYRs initially were interested in joining the Smooth Step circle, which would have been a great way to interact with Japanese students however, it turned out that the Smooth Steppers didn t want OYR students because they couldn t participate in March practices. The practice seemed to made as to completely discourage OYR participation. (It also seems that many Japanese people feel intimidated by foreigners joining clubs! Smooth Step didn t want foreign girls because they are "too cute") Solution / Recommendation / Suggestion etc. Suggestion 1 It is impossible to tell Japanese people to give up on their mindset, so the best thing for a foreigner in Japan to do is understand how Japanese people approach making new relationships. Foreigners should take the initiative when it comes to making Japanese friends, and they should also be aware of "imposing" too much of their own personality on sensitive situations; ie any first meeting one has with Japanese people they hope to befriend! Suggestion2 Everyone consider those to have good conversation each other at initial meeting to make good friends （which is important for making friends?) 1 Quantity Make your contribution as informative as is required Do not make your contribution as informative as is required 2 Quality Try to make your contribution one that is true Do not say what you believe to be false Do not say that for which you lack adequate evidence 3 Relation Be relevant 4 Manner Be perspicuous Avoid obscurity of expression Avoid ambiguity Be brief Be orderly 5 Behavior Do not hurt companion feeling Listen carefully what companion says Edit this page
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オロハ語 ｜Austronesian languages｜Malayo-Polynesian languages｜Central-Eastern Malayo-Polynesian languages｜Eastern Malayo-Polynesian languages｜Oceanic languages｜Central-Eastern Oceanic languages｜Southeast Solomonic languages｜ 言語類型 現用言語 使用文字 type living language writing system ISO 639-3 【ora】 言語名別称 alternate names Mara Ma-Siki Oraha 方言名 dialect names 参考文献 references WEB ISO 639-3 Registration Authority - SIL International the LINGUIST List Ethnologue Wikipedia
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Date A Live 01.April 1x [30 years ago, in the vicinity of Sino-Mongolian border. A butterfly was flying around peaceful glassy plain. But suddenly, blue sky deformed, fell down to the ground. From the point where deformed sky touched to the ground, black spherical thing born, spread. The black ball burned, swallowed forests, cities, people. It s size was visible when you look down to Earth from space. A diameter of the black thing swelled to several thousand kilo meters] Shido The Eurasian Continent was attacked by a massive spatial quake. There were one hundred fifteen million victims on this unprecedented event. And, now... OP --- Kotori Waaaake up! A-ha-ha! [Kotori stepped cheerful dance on Shido, over his blanket. She wore a school uniform. White sailor blouse and short length, navy-blue pleated skirt. Her panty s flashing] Shido My little sister is getting me what the possibly be the worst wake up call ever. Ugg...Kotori...! Daring little sister of mine... Kotori Aha! What is it, daring big brother of mine? Shido Get off of me! You re too big! Ugh! Kotori Aha! [Kotori jumped up high from Shido. At the highest point in air, she flashed her panty again. And, fall on her brother s stomach with her left foot] Shido Oww! ...Cough! Agh... Kotori Aha ha. Sorry, did that hurt? I bet you wake, though. [But Shido stubbornly resisted to wake up. He covered entirely over himself, and tried to keep sleeping] Kotori Hey! Stop just go right back to sleep! Wake up! Come on, wake up sleepy head! Wake up! [Kotori mounted her brother, tried to get rid of his blanket. Somehow, she seemed be little amused] Shido Listen to me...all the way... Kotori Huh? Shido I ve contracted the mysterious ten-more-minutes-of-sleep-or-else-my-sister-goes-to-tickle-hell-virus... Often referred to as the T-virus for short... Kotori What?! You got...what?! [Seemed, Kotori got gravely scared] Shido Run away, Kotori...Run! While I can control myself! Kotori Wait! But then, what s gonna happen to you, bro...? Shido As long as you re safe...it doesn t matter what happens on me... Run away... Kotori No, I can t...I can t leave you! [Shido suddenly removed blanket from him, his face colored ghastly pale, eyes blackened. And began roared] Shido GRAAAAAH! Kotori EEEEEK! [Kotori dashed from her brother s room. Shido laughed triumphantly] Shido Hee...hee...hee... ...Okay. Much better. [Shido changed his cloth from pajama to school uniform. He entered dining room] Shido Um? [Behind the sofa and the table stood on its side, Kotori had been hiding and trembling in fear] Kotori Oww...I don t wanna go to tickle hell...! Someone help me...! Shido Heh! [Shido sneaked on behind the sofa, and appeared himself to his sister, by horrific way] Shido BWAGRAAAH! Koroti EEEEEK! Shido ...It s me. Calm down, it s only me. Kotori Are---are you sure...? Shido I am much good friend to you. Yes, I, Kotori s big brother. Kotori Phew... Ha...Aha ha ha ha! News caster A spatial quake was recorded early this morning near the center of Tengu city. There was only slight damage. With no casualty among residence near the area. Investigation s continue. Has to the cause of the spatial quake--- [Shido broke an egg, preparing breakfasts while listening TV news] Shido Again? Some close, too. Kotori It was. [Shido was looking for inside the refrigerator, picked out slices of bacon and something. And, he asked her sister which she preferred to] Shido Spatial quakes, wide spread vibration phenomena. An area randomly starts vibrating, and no one knows why. This quake s so irrational, mysterious, unbelievably destructive. After the mass of catastrophe thirty years ago, spatial quake continue around the world for six terrifying months. In Japan, the Great Southern Kanto Spatial Quake completely flatten the area, not too far from our house. It was total devastation. In the twenty-five years after that, nothing happened. Nothing...until five years ago when a spatial quake showed up in the redeveloped Tengu city. Not long after that, we started hearing about quakes all the time. Most of which occurred here, in Japan. It s weird. They have been a lot lately. Kotori Not telling me. [In the TV show, it showed the area devastated by spatial quake. The area dented, like 30meter or so width crater. Watching it made Kotori squinted her eyes] Kotori (This is happening earlier than planned...) [And, Shido s expression was also stern] Shido Hold it! No sweets! [Shido scolded her sister. He tried to confiscate her pop candy, but she never released the candy from her mouth] Kotori Nn~!! Shido Seriously... (Sigh) Just make sure you eat breakfast, okay? [Kotori took out the pop candy, and smiled, winked to her brother] Kotori Aha! OK, bro. I love you! [There was a calendar hanged on the wall. Its 10th day was marked by thick red circle, and it was written "The Opening Ceremony!" under the date] Shido Oh, hey. Got any request for lunch? Kotori Oh, yeah! One Deluxe kid s plate! Hurray! Shido And, that s for a diner s menu... We don t serve that dish at this restaurant. Kotori Ahh?! Come on... Please! Pretty please! Look that cherry on top? It s yummy! [Kotori begged with her hands put together. Vexed looking Shido bit his toast] Kotori Deluxe kid s plate wins! I m love eating out for lunch...! [Shido and Kotori walked along to their school] Shido It s a diner! Not that exciting. Kotori Ya-hah. Thank you so much, bro. Okay, so after school, I ll be waiting for you right here in front of the restaurant. Shido Sounds good. Kotori And don t break your promise! Be here no matter what happens! Even if the place s taking over by terrorists, we still eat! Shido If that goes down, I doubt they let us stay. I ll be here. Be careful on your way to school. [Shido patted her sister s head. Three school girls stared the conversation between Shido and Kotori from the distance, looked sullen] Ai Hey, isn t that Shido Itsuka? Mai Didn t they seem too close? Cause I ve heard he s gotta weird sister complex. Mei That s so lame... [Kotori started to run to her school. She turned back to her brother, waved her hand] Kotori Don t forget, you promised me! So, I m gonna be here ready to eat even if a spatial quake happens. Shido Great. Now, go to school already. [Shido waved back his hand. Then, somebody held Shido s hand from behind him] Tonomachi Well, hey there. What s up? Shido Hey, Tonomachi. Tonomachi You ready for the semester? You sure look like you are... [Three girls gave inquisitive looking to Shido and Tonomachi] Ai Ow, have you also heard rumors about him? Mai Yeah, he swims both ways they say... Mei That s so lame. Ai Hm...? [Ai noticed that mysterious white short haired girl stared at Shido from behind an utility pole] Mai Are you OK, Ai? Mei I m perfect. I just saw, super genius creeping... Girl C That s so lamme. [A school. In the class 2-4] Tonomachi Nice coincidence, aren t, Shido? Lucky you being putting in the same class with me again. Some people would call this fate. I would be one of the those people... Shido Of course you would... [Tonomachi s smart phone rang] Tonomachi Hold on. Excuse me...It s my girl. Shido What? Girl? Like girl friend? Tonomachi Oh yeah. You wanna meet her? Check it out! [He showed his smartphone s display to Shido. The message "Touch Me!!", the game s title "Fall in love My little Seed", and pink color haired 2D school girl, wearing pink colored sailor collar blouse, were showed on the display] Tonomachi That s a dating sim. Shido Yeah, so what? Tonomachi Doesn t change the fact she s my girl friend. Don t judge me. A dating sim will tell you everything you need to know about how to tread women. It s like a text book for loving! This particular add is groovy because she lived... Origami Shido Itsuka. [A girl with white short hair, dark blue eyes called Shido] Shido Who...Me? Origami Yes. [She wore black blazer, blue pleated skirt. The design that had white hem on blazer collar was the same to the Shido wearing] Shido How do you know my name? Origami You mean, you don t remember? [She sat her chair without waiting Shido s answer. Her desk was next to Shido s. Shido whispering to Tonomachi so he wasn t heard by Origami] Shido Hey...who is she? Am I supposed to know her? Tonomachi Of course you are! That is Origami Tobiichi, otherwise knownst as super genius! Shido For real? Crazy. (She knows me...?) Tonomachi That chick always has some of the best grade in our class. She s ridiculous has sports. And, I mean, look at her! Gorgeous! On my-girls-I-probably-ought-to-have-the-girl-friend list, she s never been out of the top 3, like, ever! How do you not know one of the most popular kids in our school? But, more importantly, why in the world this Origami know who you are? Shido I wish I knew, but I have no idea. [Then, chime rang. Everyone in the class sat their own the chair. A homeroom teacher was entered into the class. She has chestnut colored hair, seemed popular among boy students] Tonomachi Oh! Heck yeah! It s Tamae! Okamine It s Ms. Okamine, please? Now, quiet down. I ll be your homeroom teacher this year. I hope you guys are ready to learn. [Everyone in the classroom clapped their hands, except Origami. She was staring at Shido intently] Shido (Origami Tobiichi...Why s she know who I am? And, why s she looking at me? So weird...What the heck is going on?) [Clock tower s clock reached just noon. The bell rang] Tonomachi Hey, Shido. Wanna go home together? Shido Sorry, I ve got plans. Tonomachi Oh yeah? Is it a girl? Shido Technically. It s just Kotori, though. Tonomachi Oh, I understand. Besides, as far as I know, there s not a girl in this school with a sensitive in kind enough spirit to have lunch with you. [Shido had got a sullen face] Shido Thanks. But, that was not a compliment. [Suddenly, a siren blown] Announce Your attention please. This is not a drill. They have been precursory signs... Shido A spatial quake! Tonomachi Another one? Shido We need evacuate. The shelter in the school should be safe enough... [Origami stood up, walked away on her own. Shido s eyes chased her] Announce I Repeat. There have been precursory signs... Shido (Where s she going...?) [The blue hologram display floated in the dark room, showing analysis graphics of some kind of power field] Unknown man A Kontri era. Aura uv eutrimis klub.[?] Unknown woman Kontensi tero to shigersa trique conmaifen.[?] Unknown man B Monsto, tome he[?] "Princess!" Unknown man C Ahh, she is here... ["Spatial quake warning issued." The sign stood beside the road] Announce I repeat. They have been precursory signs for impending spatial quakes in this vicinity, please evacuate to near shelter immediately. This is not a drill. I repeat. They have been precursory signs for impending spatial quake... [Right after town s people evacuated into the shelter entrance. The entrance shut down and sank into the ground. Train cars on the rail sank too. While students walked to shelter, Teacher Okamine got quite upset herself] Okamine Ah! Everyone, please cool down! Let don t forget 3Ds! Don t push! Don t Run! Don t mock with! Huh! Tonomachi You might wanna take it down, Miss coach. Okamine Of course. You re right. I m sorry. [Shido was making phone call, with anxious face] Shido (I hope Kotori is evacuating run. She should...Surely she s not still gonna try to meet me at the diner...) [Shido recalled what Kotori said in the morning] Kotori I ll be here even the spatial quake happens! Shido (Come on...! Please, don t waiting at that diner! She has to found her shelter...She s fine. She gotta be fine! I bet the shelter she s in just has bat reception. Or, she has a phone in silent or something. I need check her location...Just in case...) [Shido operated his phone to show his sister s location. The app located his sister at the diner on the map] Shido ! [Shido imagined his sister sat, crying in the front of the restaurant. He lost his control] Shido No! Tonomachi Hey, wait! Shido! [Shido was running through the city, outside of the shelter. Kotori s smiling face circulated in his mind] Kotori Okay, bro. I love you! Shido (Why?!) Kotori Thank you so much, bro! Shido (Why?! Why did she not just take shelter! The city s about to be destroyed. She s worried about promise?! Kotori...Kotori...! Kotori!) [When Shido turned the corner to enter small avenue, a black ball erupted. The ball was gaining its size as it swallow the buildings of the city. The shock wave blew off Shido] Shido Aagh! [The black ball was getting bigger and bigger, but it s evaporated just before it swallowed Shido] Shido Wow...what was that? [After the place black ball had grown, a huge crater made. Shido lost his voice with looking the sight. However, he found a girl stood at the center and the bottom of the crater. The girl wore some kind of armor. Its color was purple. The color was matched with her long straight hair and her eyes. She stared Shido with dauntless manner] Shido (It s...a girl? What s she doing...?) [The girl grabbed the hilt of her broad sword with her two hands. Pulled it from its scabbard, or dais. Swung. The sword created purple electric shock wave. Its run just next to Shido, and its impact vanished another building behind Shido] "Princess" Not you too... [The girl leveled her sword, pointed at Shido] "Princess" I see. So, it s true... You came here to kill me. Shido ... [Shido couldn t say anything. Fell down on the ground with his legs lost its strength] "Princess" Do not try denying you are here to kill me... I ll deal with you before the others are arrive. Shido Wait! Just wait, please! That s...it s not why I came here! "Princess" What?! Shido I---I can never kill anybody... Is that what you re here for? [The "Princess" squinted her eyes slightly. Then, she noticed something approaching to her from sky, turned herself to that direction. Five mechanical armored girls wearing jet wings appeared, launched rocket missiles to the Princess] Shido Uwaaah! [The Princess thrust her left arm, created purple light shield in front of her, blocked all missiles] "Princess" Why do they not realize the futility of their attacks. [She jumped high, swung her sword. The sword cut off all the missiles the mech-squad girls another launched] Shido (This isn t just any girl...) [the Princess turned back to see Shido. For unknown reason, she had had very sad looking face] Shido (If she that strong...why did she look so sad?) [Mech-squad didn t stop their attacks. They fired missiles one after another. The Princess wielded her sword, dropped all missiles off. She cross swung her sword, and some electric shock wave created. All mech-squad girls dodged. As the Princess landed to the ground, one girl of the mech-squad aimed her laser blaster to the Princess, at point-blank range. She shot the blaster, but the Princess raised her left hand, stopped and voided laser beam s energy. The princess slashed at the mech-squad girl, but the girl anyhow dodged Princess s attack. The girl lost one mechanical wing of two she reared. She detached flying equipment, jumped over Shido, and landed to near him. Shido could see girl s face] Shido To...Tobiichi? Is that you?! Origami Shido...It s you. Shido Uh, why are you wearing those cloths? [The princes attacked them with the shock wave she created from sword slash] Shido Gwaah! [Shido was blown away. Origami jumped, and activated her light saver and cut at the Princess. The Princess blocked Origami s slash, and they began cut at each other. The fight was so fast, couldn t see what they actually do. When they slashed each other wither their full strength, and their swords crushed each other, white flash flushed. And, Shido enveloped the blinding light] Woman Coordinates SJ-8020 the target "Princess" has been lost. Man Their reaction way too load affection threshold. That is confirmed. Shido ...Hello? Mysterious Voice Finally, we made again. Shido Who are you? Mysterious Voice I m so glad. But, just wait... Just a little while longer... I won t ever let you go again. I won t ever be wrong again. Soon... Shido Ah! Reine Hmm...It appears you are awake now. [In front of Shido. A woman whose face had unhealthily pale and had dark rings under her eyes] Shido Wait. I don t know you. Who are you? Reine My name is Reine Murasame. Just call me Reine. I m the head analyst here. There s no reason you freaked out. The first aid is hardly out of my league. Shido (That supposed to be reassuring...?) So...here s a question...? Where exactly am I? Reine You re resting in Fraxinus s sick bay. You were unconscious, so was decided this for the best course of action. Shido Fraxinu...what now? Did I pass-out? All right...I ended up in the middle of that thick fight...wait, Kotori! But, my sister! I need to go find my sister! She s waiting for me in front of the diner! She could be...! Reine What you need is calm down. You sister is perfectly fine. Shido What?! She is? Reine I m assuming you want some sort of explanation now. Apologies, but that isn t really my forte. You should ask the vice commander for more details... [Reine brought Shido to another room. There was young man standing. His hair was blond, long] Reine I m brought him with me. Kyouhei Thank you for taking care of it. It s very nice to meet you. My name is Kyouhei Kanaduki. And, I am the vice commander. Welcome, Shido. We glad you here. [After greeting to Shido, Kyouhei humbly gestured Shido to turn himself right. Above the stage, surrounded by operating console machine. A girl sat on her chair] Shido Kotori...? Kotori Glad you could make it, bro. Like idiot said, welcome to Ratatoskr. [The scene was changed on some military base. Huge body plane, four tanks, were outside of the building. A dozen people wearing engineering suit looked maintaining those plane, vehicles] Man Penetration angle, checked! Main earth[?], set! [Origami Tobiichi flew to her stand, attached her backpack to it] Origami Release connection. [After she detached from her back pack, seemed from exhaustion, she could not stand her own, began to fall. Her colleague held her body so she didn t fall down to the ground] Kusakabe I got you. Good work. Origami Capt. Kusakabe... Kusakabe You re working yourself too hard! Take it easy, okay? [Fraxinus. Kotori was showing a girl called the "Princess" on the display to Shido] Kotori This thing is a monster called a "Spirit" who s lost now long ago...that means disappeared. This is what we call--- Shido Wait, will you shut up for a second? Kotori Don t be rude. The commander s taking the time to explain everything to you personally! You should on your knees bowing in gratitude. If you want, I certainly wouldn t mind letting you lick my boots while you down there. Kyouhei What?! Really I can?! Kotori Hum! [Kotori hit Kyouhei s belly, so strong that impact could be visible as his back deformed] Kyouhei Urgh...! Oh year...Thank you for that, commander...! [Somehow, he looked so happy, and crumbled down to the ground] Shido And er...You are Kotori? Kotori Of course. Have you forgotten my face looks like? Shido? Shido No "bro?!" Kotori I knew your memories bad, but not all time as that. Well, I guess I have to admit you to a nursing home pretty soon. Shido So...what s going on? Where are we? Kotori Quit freaking. I ll explain this specific to you later, but first, you need to remember the three things I m about to say. One That girl is a Spirit. She doesn t belong in this world, and simply appearing on our planet causes everything around her to blow up whether she wanted to or not. Shido Blow up...why? Kotori You are so damn. You know those things we call "Spacial Quakes?", or Spirits just like that girls are under the ones who responsible for making them happen. Shido ... [Shido recalled when the Spatial Quake burst in very front of him, and after that, the girl stood at the center of the crater which the burst made] Shido (How could one girl do all that...?) Kotori Ready for two? [She showed five mech-girls on the screen] Kotori These are the ground force s Anti-Spirits Team. When the Spirit appears, the AST flied to their location, and take care of it. Meaning, they kill them. Shido What?! ...Kill them?! "Princess" It s true...you came here to kill me, didn t you? [Shido remembered the "Princess" said] Kotori And, now for Three There is another way to deal with the Spirits without having rely on AST. This is the reason why you re here, and why your help would be most needed. Shido Me? Help how? Kotori We have to make sure you start training tomorrow. I ll leave the rest of the details after the person in charge for development. In the mean time, just go back to school like normal. Shido Wait, will you slow down?! Why would you train me? I mean, seriously, what could I possibly do? [Kotori stomped her right foot to Kyouhei s left foot hard] Kyouhei Aargh!! Kotori No one was asking your opinion on the matter. Your only option is "yes." Shido What... Kotori Now I have a question. What were you doing down there Shido? Did you want to die? Shido No! Stupid, I was looking for you! Remember, you said you would be at diner even if there was a quake? Kotori I said that? But, how was I supposed know you d follow through? Shido Look Kotori! Besides being dependable, your phone s locate showed me you were there! Kotori You don t say...Oh year, I guess that does make sense. Although, technically we are above the diner. Shido Huh? Kotori Disable the filter. [Reiko, stood next Kotori, nodded. Then, the floor disappeared. Shido astonished, but they didn t fall in the air. Apparently, they were still on physically solid floor] Kotori We re currently fifteen thousand meters above Tengu city. You re on board airship called Fraxinus. [Shido looked down the city from see through floor, like he flew at 15,000 meters high above] [Unknown space. A girl with purple straight long hair slept in dim light. There s nothing in the space other than girl herself. She quietly opened her eyes, seemed she was thinking, remembering something, someone] [The next day, at the school] Okamine Is everyone enjoying day 2 of the new semester? Well, I am. Because today, we have a brand new assistant homeroom teacher with us! Reine I m Reine Murasame. And, I m excited to be here...ah... [As always, unhealthily pale looking Reine got dizzied, fainted away behind the lectern. Everyone in the class upset. Shido had a grave skeptical face] Shido How did you get to be one of my teachers? Tell me what s going on? [Three o clock pm, Shido and Reine were at physics preparation room. And Kotori was also there. In the room, there was dozen monitors hung on the wall. They were all turned on, showing different graph, information on them respectively] Shido Please, Miss Murasame? Reine You can just call me Reine. Key Shin? Shido Er...My name is Shido. Reine Is that right? Wow...Sorry, Shin. My bad. Shido You can t be serious! Come on! You didn t even try getting it to right! Reine It s more convenient from it keep close to you if I remember of the school s teaching stuff. Kotori And, you shouldn t able to figure that much out of you alone. Try not to be so stupid! [Kotori pointed her pop candy at Shido] Shido Hey, why don t you tell me why you even here? Don t you have school? Kotori I got permission to come today. [Kotori ostentatiously showed her slipper "For visitors" printed on it] Shido ...Fine, so you re finally gonna explain to me what this training is for or what? Kotori It ll start to make more sense with you start using the training software. Hit it, Reine! Reine Nn. [Reine typed something on the computer. On the screen, some software began loading. After a while, software started, showing the title of it. That read "Fall in love My little Shido"] Shido Huh? ...This is a dating sim. Tonomachi was playing with it. Kotori Oh, no, it s not. Take another look. Shido My...little...Shido? [In the program, an apathetic narrator began explaining the purpose of the game] Narration (In the game) りんかいにそんざいする [Which exist in another world,] とくしゅさいがいしていせいめいたい。 [The designated special life form.] はっせいげんいん、そんざいりゆうともにふめい。 [It s unknown why they ve been emerged, and why they exist.] こちらのせかいにあらわれるさい、 [When they appear into this world,] くうかんしんをはっせいさせ、 [They create the Spatial Quakes,] しゅういにじんだいなひがいをおよぼす。 [Make grave havoc around them.] たいしょほう [The method for facing them] ぶりょくをもってこれをせんめつする。 [Annihilate them with using military force.] ただし、 [However,] ひじょうにたかいせんとうりょくをもつため、 [Because they have so high powered combat ability,] たっせいはこんなん。 [It s not very feasible] Girl A (In the game) おはようおにいちゃん、りりこだよ！ [Good morning, bro. It s Ririko!] なんだかたいへんなことになっちゃったね [Seems it become a big problem] でもおにいちゃんならだいじょうぶ！ [But, it ll OK as long as it is you!] きっときっと、やれるからね！ [I m sure you ll do it!] Girl B (In the game) ねえシドー、 [Hey, Shido,] できることならせいれいはきずつけたりころしたくないよね？ [You think you don t wanna hurt, or kill Spirits, don t you?] でもせいれいをこのままにしておいたら、 [But if we leave them alone,] またくうかんしんがおきるしののみ[?]もころされる！ [The Spatial Quakes will occur and Nonomi[?] will get killed!] Woman A (In the game) だったら、せいれいをせっとくしたらどうかしら？ [So then, why don t you persuade the Spirits?] このせかいをすきになってもらうとか。 [Like, to make them like this world.] そうそう、よくこいをするとせかいがうつくしくみえる、なんていうわね。 [Oh, they say, the world will be much more beautiful when you are in love to someone] いつかくん、ということは・・・ [So, Itsuka-kun, that means...] Girl A (In the game) ということは・・・ [That means...] Girl B (In the game) ということは・・・ [That means...] Girl A, B, Woman A (In the game) つ・ま・り、 [In short,] デート、デート！ [Date! It s date!] せいれいをデレさせろ！ [Make the Spirits fall for you!] Girl A (In the game) なかよくおはなし～！ [With talking friendly!] Girl B (In the game) イチャイチャデートで～？ [With having a lovey-dovey date!] Woman A (In the game) メロメロにするの～！ [Make her fall in love with you!] Girl B (In the game) それがシドーの～ [That s Shido s...] Woman A (In the game) いつかくんの～ [That s Itsuka-kun s...] Girl A (In the game) おにいちゃんの～ [That s big bro s...] Girl A, B, Woman A (In the game) や・く・め！ [Assignment!] Girl A (In the game) というわけで、くんれんがんばってね！ [So now, do your best on the training!] [At dusk, Shido and Origami stood themselves alone at just inside of the exit to the roof space of the school building] Origami So, Shido...About yesterday... Shido Uh-huh? Origami Please, just keep that yourself. In fact, it ll be for the best. If you forgot about everything you saw yesterday... Shido What, it...You mean that girl, right? Look, Tobiichi. I...I think she might--- Origami She s a "Spirit." That thing is an enemy that I must defeat. Shido ...Why? You really think they re so evil? [Origami nodded quietly] Origami Spirits killed my parents. They browned them. They are very evil... And, they will pay. [Usually, Origami never expressed any emotions in front of the other people, but at this moment, she did not hide her emotions toward the Spirits. She squinted her eyes, knitted her eyebrows, expressing her hatred]
https://w.atwiki.jp/rupt/pages/167.html
sortiez ../ ソフトウェア名 sortiez 現Version test 作者(敬称略) naoya kawahara 配布元 Ruputer page in NKF"Shooting Test" ソフトウェア形態 ？ ソース 非公開 紹介 シューティングゲーム。多様な動きで迫り来る敵を撃破せよ。 作者曰く「ぜんぜん未完成」とのことだが既にかなり作りこまれている。 リソース不足も何のそので敵の爆破エフェクトを付ける辺りにコダワリを感じる。 ゲームはエリアに別れている。敵は5エリアから弾を打ち始める。 最初の関門は敵を殲滅することが難しくなる8エリア。避け方を工夫する必要あり。 始めの通常敵の攻撃は自機狙い弾なので、あまり大袈裟に避けすぎないのがコツだ。 そして8エリア以降の一連の攻撃をやり過ごし終わると... (スクリーンショット情報) 全：Aurex2 RC4 + WinShot ver1.53a
https://w.atwiki.jp/anime_wiki/pages/24493.html
Lostorage conflated WIXOSS 1 ブルーレイ カード付初回生産限定版 発売日：８月３０日 【初回生産限定特典】 ・WIXOSS スペシャルアーツカード2 種×各1 枚(ホロ＆箔押し仕様) ・WIXOSSTCG ブースターパック 1BOX(20 パック入り)(WXK-P03) ・ブックレット 【商品仕様】 映像特典：ノンテロップOP ED ここを編集 2018年4月放送開始。Lostorage incited WIXOSSに続くシリーズ続編。プライムビデオが配信開始。 http //lostorage-wixoss.com/ 監督 吉田りさこ 原作 LRIG シリーズ構成 土屋理敬 キャラクター原案 さらちよみ、Hitoto*、坂井久太、鈴木マナツ アニメーションキャラクターデザイン 佐藤嵩光 ルリグデザイン 萩原弘光、鈴木彩乃 プロップデザイン 山口杏奈 美術監督 柳原拓巳 色彩設計 日野亜朱佳 撮影監督 福世晋吾 特殊効果・ビジュアルアート 岩永裕美 編集 須藤瞳 音響監督 岩浪美和 音響効果 小山恭正 録音調整 山口貴之 録音助手 小笠原頌、倉島玲美 ダイアログエディター 松田知優 音楽 井内舞子 アニメーション制作 J.C.STAFF 脚本 土屋理敬 杉原研二 玉井☆豪 コンテ 吉田りさこ 宮浦栗生 中原れい 川島宏 頂真司 広尾進 吉田徹 演出 吉田りさこ 森田静二 久保山英一 津田義三 駒屋健一郎 清水一伸 森田侑希 清水アキラ 小野田雄亮 作画監督 佐藤嵩光 谷口元浩 大木良一 村上雄 佐野はるか 加藤愛 手島勇人 桜井司 岩崎亮 青木健一郎 八重樫洋平 鈴木彩乃 藪田裕希 鶴元慎子 藤井昌宏 三橋桜子 永井里奈 アラタハヤト 大森理恵 北島勇樹 寿夢龍 浦島美紀 古徳真美 趙暁昕 迫由里香 中熊太一 河西睦月 芝田千紗 小川浩司 舘崎大 畠山佳苗 植竹康彦 林信秀 金正男 船越麻友美 雨宮英雄 兒玉ひかる 河野直人 河原久美子 三鷹一駅 山本径子 邱明哲 桝井一平 那須野文 安斉佳恵 徳川恵梨 森悦史 清水博幸 奥野浩行 栗原芙姫 プライムビデオ：Lostorage conflated WIXOSS Ep. 1. 予兆／夜明けと未明 出演 大西沙織, 橋本ちなみ, 加隈亜衣 再生時間 0時間23分 初公開日/初回放送日 2018年4月7日 ■関連タイトル Lostorage conflated WIXOSS 1 ブルーレイ カード付初回生産限定版 イラストレーションズ オブ ウィクロス ウィクロス WXK-D05 TCG 構築済みデッキ デュアルペイルネス OPテーマ 井口裕香/UNLOCK アニメ盤/2枚組 EDテーマ Cyua/I 随時更新！ pixivFANBOX アニメ@wiki ご支援お待ちしています！ ムック本＆画集新刊／個人画集新刊／新作Blu-ray単巻／新作Blu-ray DVD-BOX アニメ原画集全リスト スタッフインタビューwebリンク集 最新登録アイテム Blu-ray 魔女見習いをさがして Blu-ray「どうにかなる日々」Blu-ray Happy-Go-Lucky Edition 初回限定生産 Blu-rayDisc付き 『ラブライブ! スーパースター!!』「始まりは君の空」【みんなで叶える物語盤】 BEM~BECOME HUMAN~豪華版Blu-ray Blu-ray 劇場版 魔法少女まどか☆マギカ 10th Anniversary Compact Collection Blu-ray ぐらぶるっ! 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